Welcome -- Page 1 |
Technical Support -- Page 1 |
Enabling the Software -- Page 1 |
If you purchased the software directly from Black Belt Systems -- Page 1 |
EDP - Electronic Delivery Packages -- Page 2 |
Legal Issues -- Page 3 |
Software Components -- Page 3 |
Ownership -- Page 3 |
Authorship -- Page 3 |
Software Copyright and Usage -- Page 3 |
Network Installations -- Page 3 |
Documentation Copyright and Usage -- Page 3 |
Copyright Venue and Right Of Use -- Page 3 |
Other Copyrights -- Page 3 |
Transferability -- Page 3 |
Using Output from the Software -- Page 3 |
Disclaimer -- Page 3 |
Piracy -- Page 4 |
Placing the documentation on your system -- Page 5 |
How To Use The Documentation -- Page 5 |
The Need for Printed Documentation -- Page 5 |
Why online documents? -- Page 5 |
What's new in WinImages R7.5? -- Page 6 |
What was New in WinImages R7? -- Page 7 |
What was New in WinImages R6? -- Page 8 |
What was New in WinImages R5? -- Page 9 |
Acknowledgments -- Page 10 |
User Notes -- Page 11 |
WinImages Requires -- Page 12 |
Installing WinImages -- Page 13 |
WinImages Application Components -- Page 13 |
Removing WinImages from your computer -- Page 14 |
Moving WinImages to a New Filesystem Location -- Page 14 |
Removing Default Installations -- Page 14 |
Removing Customized Installations -- Page 14 |
WinImages Overview -- Page 15 |
Image Views -- Page 16 |
Atomic Images -- Page 16 |
Layered Images -- Page 16 |
Magnification -- Page 16 |
Resolution Independence -- Page 16 |
Multiple View Handling -- Page 16 |
Multiple Images Loaded -- Page 16 |
Multiple Views on Image or Layer -- Page 16 |
Multiple View Magnifications -- Page 16 |
Multiple View Zones -- Page 16 |
Multiple View Types -- Page 16 |
Data Representation and Manipulation -- Page 17 |
Image Data -- Page 17 |
24-bit -- Page 17 |
32-bit -- Page 17 |
Ancillary Image Data -- Page 17 |
Promotion of Lesser Bit Depths and Maps -- Page 17 |
Demotion of Higher Bit Depths and Maps -- Page 17 |
Image Properties -- Page 17 |
Image Roles -- Page 17 |
Action Images -- Page 17 |
Source Images -- Page 17 |
Brush Images -- Page 17 |
Other image roles -- Page 17 |
Unassigned Images -- Page 17 |
Alpha Channels -- Page 17 |
Embedded Transparency -- Page 17 |
Area Selection Transparency -- Page 17 |
Pixel Transfer Modes -- Page 17 |
Atomic Images -- Page 17 |
Layered Images -- Page 17 |
Controls and Options -- Page 17 |
Blend Modes -- Page 17 |
77 Mode Types -- Page 17 |
Color Processing -- Page 17 |
Alpha Processing -- Page 17 |
Geometry Processing -- Page 17 |
Local Layers -- Page 17 |
Layer Effects -- Page 17 |
Flattening Never Required -- Page 17 |
Filmstrip -- Page 17 |
Heightfields -- Page 17 |
Grayscale -- Page 17 |
DEM (Digital Elevation Maps) -- Page 17 |
Textures -- Page 17 |
3D Scenes -- Page 17 |
Object Definitions -- Page 17 |
Image Mapping -- Page 17 |
Bump Mapping -- Page 17 |
Decision Mapping -- Page 17 |
Algorithmic Texture Color Mapping -- Page 17 |
Algorithmic Texture Bump Mapping -- Page 17 |
Mathematical Expressions -- Page 17 |
Stacks and State Information -- Page 17 |
Keyframes and Animation -- Page 17 |
Extended Scene and Object Controls -- Page 17 |
Suggested Ancillary Software -- Page 17 |
Particle Systems -- Page 17 |
Area Selection -- Page 18 |
Modes -- Page 18 |
Immediate Action mode -- Page 18 |
Select, then Operate mode -- Page 18 |
Tools -- Page 18 |
Stroking and Regional Tools -- Page 18 |
Regional-Only tools -- Page 18 |
Text (Font) -- Page 18 |
Feathering -- Page 18 |
Color Keying -- Page 18 |
Boolean Tool Modifiers -- Page 18 |
Selection Aspect Ratio Control -- Page 18 |
Splattering -- Page 18 |
Undo and De-Undo -- Page 18 |
Number of Levels: 0 to infinity -- Page 18 |
Setting and Using the History -- Page 18 |
What is kept in the History -- Page 18 |
Color Keying Mechanisms -- Page 18 |
Wand Tool -- Page 18 |
Modifier-Based -- Page 18 |
Layer-based -- Page 18 |
Operations Toolbar Structure -- Page 19 |
Chapter Bar -- Page 19 |
Verse Bar -- Page 19 |
Operations on Pre-existing Images -- Page 19 |
Stills -- Page 19 |
Operations on Still Images with Static Results -- Page 19 |
Layered Image Manipulations -- Page 19 |
Effect Applications -- Page 19 |
Animations -- Page 19 |
Area Selection Animation and Morphing -- Page 19 |
Linear Interpolation -- Page 19 |
Splined Interpolation -- Page 19 |
Effect Parameter Animation -- Page 19 |
Linear -- Page 19 |
Splined -- Page 19 |
Operations on... -- Page 19 |
Still Images with Animated Results -- Page 19 |
Animated images with Static Results -- Page 19 |
Animated images with Animated Results -- Page 19 |
Operations (Processes, Effects or Filters) Available -- Page 19 |
Toolbar Based -- Page 19 |
Layer Based -- Page 19 |
Image Creation Based -- Page 19 |
Image Conversion Based -- Page 19 |
Data Export Based -- Page 19 |
Operation Parameter Controls -- Page 19 |
Numeric and Boolean -- Page 19 |
Graphical Profiles -- Page 19 |
Scripted -- Page 19 |
Trended -- Page 19 |
Global Presets -- Page 19 |
Saving and Loading Individual Operation Presets -- Page 19 |
Saving and Loading Entire Projects -- Page 19 |
Image Input -- Page 20 |
Still Frames -- Page 20 |
Streams of Sequenced Still Frames -- Page 20 |
Image Output -- Page 20 |
Format Conversion -- Page 20 |
Animation Output -- Page 20 |
Streams of Sequenced Still Frames -- Page 20 |
MNG -- Page 20 |
GIF -- Page 20 |
AVI -- Page 20 |
FLM -- Page 20 |
Tutorials -- Page 21 |
Basic -- Page 21 |
Advanced -- Page 21 |
Supplementary -- Page 21 |
The Basics -- Page 22 |
How WinImages F/x handles Image Views -- Page 22 |
View Sizing -- Page 22 |
Magnification of specific regions -- Page 22 |
Area Selections as they relate to view size -- Page 22 |
Using WinImages F/x to Process Single Still Images -- Page 23 |
Using WinImages F/x to Generate Animated Effects -- Page 23 |
Alpha Channels and Transparency -- Page 24 |
Transparency in Layered Images -- Page 24 |
Transparency in Area Selection Masking -- Page 24 |
Advanced Getting Started Tutorial -- Page 25 |
Using Layers -- Page 27 |
Introduction -- Page 27 |
What are Layers? -- Page 27 |
Beginning With Layers -- Page 27 |
Step by Step through the Layers Dialog -- Page 27 |
Resize Master -- Page 27 |
Rename Base -- Page 27 |
Rename Layer -- Page 27 |
Create -- Page 27 |
Create, Zero, Scale and Rotate Warp -- Page 27 |
Attach -- Page 27 |
Detach -- Page 27 |
Destroy -- Page 27 |
Duplicate -- Page 27 |
Shadow -- Page 27 |
Glow -- Page 27 |
Emboss -- Page 27 |
Save -- Page 27 |
Done -- Page 27 |
Layer Settings -- Page 27 |
Layer Modes -- Page 27 |
Quick Layer Mode Index -- Page 27 |
Layer Information -- Page 27 |
Layer Modes -- Page 28 |
Subtractive Color Space Layer Modes -- Page 28 |
Logical Layer Modes -- Page 28 |
Image Barrels -- Page 29 |
What's an Image Barrel? -- Page 29 |
Where can I get Image Barrels? -- Page 29 |
So, what's an Image Barrel used for? -- Page 29 |
What kinds of features and effects are available to be used with the pictures that come out of Image Barrels during a brush stroke? -- Page 29 |
Usability -- Page 29 |
WinImages F/x Tools -- Page 30 |
The Area Selection Tool Box -- Page 30 |
Area Selection Method 1 - Immediate Painting Method -- Page 30 |
Area Selection Method 2 - Draw First Method -- Page 30 |
The Operations Toolbar -- Page 30 |
Pull Down Menus -- Page 30 |
The Timeline -- Page 30 |
The Filmstrip -- Page 30 |
Menu Operations -- Page 31 |
The File Menu -- Page 31 |
Load Image and the MRU submenu -- Page 31 |
Loading an Image File -- Page 31 |
Thumbnails -- Page 31 |
Save Image -- Page 31 |
Save image as -- Page 31 |
JPEG Save Quality Preview -- Page 31 |
Manager -- Page 31 |
New Image -- Page 31 |
LNI - Last New Image -- Page 31 |
New Heightfield -- Page 31 |
Clone Image -- Page 31 |
Separate Image -- Page 31 |
Load DEM -- Page 31 |
Open Project -- Page 31 |
Save Project As -- Page 31 |
Close Project -- Page 31 |
Acquire Twain -- Page 31 |
Select Twain Source -- Page 31 |
Capture Screen -- Page 31 |
Step by Step Instructions for Capturing Screens -- Page 31 |
Screen Capture Controls -- Page 31 |
Print Image -- Page 31 |
Output Color Reduction -- Page 31 |
Preferences -- Page 32 |
Registration -- Page 32 |
MRF List -- Page 32 |
Image File Manager -- Page 33 |
General Information -- Page 33 |
Global Preferences -- Page 33 |
Operation -- Page 33 |
Context Menus -- Page 33 |
Overview -- Page 33 |
No Thumbnails Available -- Page 33 |
Thumbnails available, but none are selected -- Page 33 |
Thumbnails available, one or more selected -- Page 33 |
Keystrokes -- Page 33 |
Individual Features -- Page 33 |
Image Selection with the Mouse -- Page 33 |
Image Selection using a String Pattern -- Page 33 |
Select All Image Files -- Page 33 |
Invert Selection -- Page 33 |
Deselect All Image Files -- Page 33 |
Filtering the images to be displayed -- Page 33 |
Finding Images -- Page 33 |
Using the IFM with the Timeline -- Page 33 |
Copy Single Image File to Clipboard -- Page 33 |
Cut Single Image File to Clipboard -- Page 33 |
Copy Image File Name to Clipboard -- Page 33 |
Print Single Image File -- Page 33 |
Copy Full Image File Name and Path to Clipboard -- Page 33 |
Sort All Image Files in Alphabetic Order -- Page 33 |
Sort All Image Files in Date Order -- Page 33 |
Sort All Image Files in Size order -- Page 33 |
Delete selected Image File(s) -- Page 33 |
Destroy selected Image File(s) -- Page 33 |
Move selected Image File(s) -- Page 33 |
Rename Single Image File -- Page 33 |
Thumbnail the current Directory -- Page 33 |
Re-Thumbnail selected Image File(s) -- Page 33 |
Auto Row/Column Size Selection -- Page 33 |
Preferences -- Page 33 |
Image Properties -- Page 33 |
The Operations Caddy -- Page 34 |
Using the Op Caddy -- Page 34 |
Creating an Op Caddy -- Page 34 |
Adding Operators to the Caddy -- Page 34 |
Re-organizing Caddy Operators -- Page 34 |
Re-Configuring the Caddy -- Page 34 |
Deleting Operators from the Caddy -- Page 34 |
Identifying Operators in the Caddy -- Page 34 |
Saving Caddies -- Page 34 |
Loading Caddies -- Page 34 |
Making a Caddy Open on Program Start -- Page 34 |
Output Color Reduction -- Page 35 |
Output Color Reduction Controls -- Page 35 |
Use Default Palette -- Page 35 |
Use Gray Scale Palette -- Page 35 |
Use Loaded Effects Palette -- Page 35 |
Choose Palette Colors -- Page 35 |
Edit Palette -- Page 35 |
Update Effects Palette from Render -- Page 35 |
Lock Palette after First Frame -- Page 35 |
Ordered Dither -- Page 35 |
Error Diffusion Dither -- Page 35 |
Dither Amount -- Page 35 |
Creating Transparent Still GIF images -- Page 35 |
Creating Non-Transparent Still GIF images -- Page 35 |
Which Color Reduction method is best? -- Page 36 |
The Texture Generator -- Page 37 |
General -- Page 37 |
Controls -- Page 37 |
Class -- Page 37 |
Name -- Page 37 |
Square Size -- Page 37 |
Seed -- Page 37 |
Depth -- Page 37 |
Turbulence -- Page 37 |
Max Dynamic -- Page 37 |
Inversion -- Page 37 |
Thresh -- Page 37 |
Illuminated -- Page 37 |
Type -- Page 37 |
The Edit Menu -- Page 38 |
Copy -- Page 38 |
Paste -- Page 38 |
The Timeline Menu -- Page 39 |
Show Timeline -- Page 39 |
Sequence Controls -- Page 39 |
Accumulate Changes -- Page 39 |
Inhibit Display -- Page 39 |
Hide Op Controls -- Page 39 |
Animation (File) Frame Rate (FX) -- Page 39 |
Milliseconds per frame -- Page 39 |
Frames per second -- Page 39 |
Jiffies (per frame) -- Page 39 |
Generate -- Page 39 |
The Display Menu -- Page 40 |
RGB 32-bit - 2 level B+W -- Page 40 |
Info on Display -- Page 40 |
Show Tool Bar Text -- Page 40 |
Light Progress Bar -- Page 40 |
Size Windows -- Page 40 |
Maintain Aspect Ratio -- Page 40 |
Show Alpha in Views -- Page 40 |
Checkered Alpha -- Page 40 |
Set View Colors -- Page 40 |
Set Alpha Check Color -- Page 40 |
Set Alpha View Color -- Page 40 |
Set Filmstrip Blend Color -- Page 40 |
Set Off Image Color -- Page 40 |
Area Selection Marquee Color -- Page 40 |
Set Line Color 1 -- Page 40 |
Set Line Color 2 -- Page 40 |
Set Previous Color 1 -- Page 40 |
Set Previous Color 2 -- Page 40 |
Set Handle Color -- Page 40 |
Show Grid -- Page 40 |
Beep when Palette Changes -- Page 40 |
The Settings Menu -- Page 41 |
Change Working Method -- Page 41 |
Affect Alpha in View -- Page 41 |
Affect RGB Only -- Page 41 |
Affect Alpha Only -- Page 41 |
Number of Undo Levels -- Page 41 |
Controlling JPEG Chroma Subsampling -- Page 41 |
Modal Zoom -- Page 41 |
Keep a log file -- Page 41 |
Show Chronograph -- Page 41 |
The Area Menu -- Page 42 |
Antialias Area Selections -- Page 42 |
Autofill -- Page 42 |
Autoclose -- Page 42 |
Pixel transfer Modes -- Page 42 |
Undo Last Selection -- Page 42 |
Clear Area Selection -- Page 42 |
Show Area Tool Box -- Page 42 |
Load Area Select File -- Page 42 |
Save Area Select File -- Page 42 |
Load I-Shape... -- Page 42 |
Save I-Shape... -- Page 42 |
Font Style -- Page 42 |
Shape from Corner -- Page 42 |
Rectangle from Corner -- Page 42 |
Rounded Rectangle from Corner -- Page 42 |
Ellipse from Corner -- Page 42 |
Roundness -- Page 42 |
Color Wand Controls -- Page 42 |
Color Key Controls -- Page 42 |
Key on: RGB, Hue, or Color Space -- Page 42 |
Medium/High Quality -- Page 42 |
New/Add/Subtract -- Page 42 |
RGB/HSV Range -- Page 42 |
Grow -- Page 42 |
Load/Save Space -- Page 42 |
Feathering Controls -- Page 42 |
Transparency Controls -- Page 42 |
Transparency level slider -- Page 42 |
Edge Blending control -- Page 42 |
Preset Edge Blends -- Page 42 |
Mask with Target Alpha -- Page 42 |
Opaque Fills -- Page 42 |
Splatter Controls -- Page 42 |
Pixel (Color) Transfer Modes -- Page 43 |
Matte PTM -- Page 43 |
Additive PTM -- Page 43 |
Add Gray PTM -- Page 43 |
Absolute Subtract PTM -- Page 43 |
Sub Gray PTM -- Page 43 |
Subtract PTM -- Page 43 |
Multiply PTM -- Page 43 |
Divide PTM -- Page 43 |
Dodge PTM -- Page 43 |
Burn PTM -- Page 43 |
Express PTM -- Page 43 |
Exclude PTM -- Page 43 |
Hard Light PTM -- Page 43 |
Soft Light PTM -- Page 43 |
Overlay PTM -- Page 43 |
Lighten PTM -- Page 43 |
Darken PTM -- Page 43 |
Hue PTM -- Page 43 |
Saturation PTM -- Page 43 |
Luma PTM -- Page 43 |
Color PTM -- Page 43 |
Clear PTM -- Page 43 |
Behind PTM -- Page 43 |
Dye PTM -- Page 43 |
Dissolve PTM -- Page 43 |
Soft Dissolve PTM -- Page 43 |
Mist PTM -- Page 43 |
Soft Mist PTM -- Page 43 |
AND PTM -- Page 43 |
OR PTM -- Page 43 |
XOR PTM -- Page 43 |
NAND (NOT AND) PTM -- Page 43 |
NOR (NOT OR) PTM -- Page 43 |
XNOR (NOT XOR) PTM -- Page 43 |
The Filmstrip Menu -- Page 44 |
Filmstrip Settings -- Page 44 |
Scroll Updates onto Filmstrip -- Page 44 |
Place Updates in Current Frame -- Page 44 |
Do not Update Filmstrip -- Page 44 |
Animate Film -- Page 44 |
Animation Settings -- Page 44 |
Pong -- Page 44 |
Reverse -- Page 44 |
Show Filmstrip -- Page 44 |
Load Filmstrip -- Page 44 |
Save Filmstrip -- Page 44 |
Save Filmstrip as MNG ANIM -- Page 44 |
Save Filmstrip as GIF ANIM -- Page 44 |
Save Filmstrip as FLC -- Page 44 |
Save Filmstrip as 8-Bit AVI -- Page 44 |
Save Filmstrip as 24-Bit AVI -- Page 44 |
The Operations Menu -- Page 45 |
Show Operation Controls -- Page 45 |
Execute Operation -- Page 45 |
Load Op. Settings File -- Page 45 |
Save Op. Settings File -- Page 45 |
Op Caddy on/off -- Page 45 |
Configure Op Caddy -- Page 45 |
Load Op Caddy -- Page 45 |
Save Op Caddy -- Page 45 |
Operators -- Page 45 |
The Plug-Ins Menu -- Page 46 |
The Window Menu -- Page 47 |
Open Another View -- Page 47 |
Display Alpha View -- Page 47 |
Image Information -- Page 47 |
Change Image Information -- Page 47 |
Play AVI -- Page 47 |
Open Views (list) -- Page 47 |
The Extras Menu -- Page 48 |
HTML Gradient Text -- Page 48 |
RAW to W3D triangle converter -- Page 48 |
3D Exploration -- Page 48 |
The Help System in General -- Page 49 |
The Help Menu -- Page 49 |
About -- Page 49 |
Getting Started -- Page 49 |
On Layers -- Page 49 |
Display Quality -- Page 49 |
Keystrokes -- Page 49 |
Learn About Updates (via Internet) -- Page 49 |
Technical Support (via Internet) -- Page 49 |
Manual -- Page 49 |
Help Location -- Page 49 |
Visit Tip of The Day -- Page 49 |
Tip of the Day Location -- Page 49 |
System Information and Memory Info -- Page 49 |
The Area Selection Toolbox -- Page 50 |
Method 1 - Immediate Painting Method -- Page 50 |
Method 2 - Draw First Method -- Page 50 |
Area Selections and Transparency -- Page 50 |
Path-Generating Area Tools -- Page 50 |
Area Tool Subindex -- Page 50 |
Freehand -- Page 51 |
Polygon -- Page 52 |
I-Shape -- Page 53 |
Rectangle -- Page 54 |
Rounded Rectangle -- Page 55 |
Ellipse -- Page 56 |
Polyarc -- Page 57 |
Spline -- Page 58 |
Bezier -- Page 59 |
Step by Step Guide to Bezier Curve Placement -- Page 59 |
Editing Bezier Curves -- Page 59 |
Numeric Rectangle -- Page 60 |
Color Wand -- Page 61 |
Wand Options -- Page 61 |
Copy and Paste Sample Range -- Page 61 |
Default Settings for Wand Dialog -- Page 61 |
Combining Selections -- Page 61 |
Font -- Page 62 |
Entire Image -- Page 63 |
Redo Last Area Selection -- Page 64 |
Re-Edit the Last Area Selection -- Page 65 |
The Color Key Modifier -- Page 66 |
Step by Step Use of the Color Keyed Area Selection Tool -- Page 66 |
The Splatter Modifier -- Page 67 |
Splatter Controls -- Page 67 |
The Hold Square Modifier -- Page 68 |
The Hold Aspect Modifier -- Page 69 |
The Hold Aspect to Source Image Modifier -- Page 70 |
The Complement (Exclusive or) Modifier -- Page 71 |
The Intersection (and) Modifier -- Page 72 |
The Union (or) Modifier -- Page 73 |
The Exclude (NOR) Modifier -- Page 74 |
The Hollow Shape Modifier -- Page 75 |
The Unclosed Shape Modifier -- Page 76 |
The Antialias Shape Modifier -- Page 77 |
Operations Documentation -- Page 78 |
Sub-indexes -- Page 78 |
Asterize -- Page 79 |
Asterize Controls -- Page 79 |
Edit Profile -- Page 79 |
Trend -- Page 79 |
Edge Color Preview Window -- Page 79 |
Peak Color Preview Window -- Page 79 |
Red -- Page 79 |
Green -- Page 79 |
Blue -- Page 79 |
Saturation -- Page 79 |
Width -- Page 79 |
Rotate -- Page 79 |
Arms -- Page 79 |
Center Glow -- Page 79 |
Additive -- Page 79 |
Taper -- Page 79 |
Presets -- Page 79 |
Load -- Page 79 |
Save -- Page 79 |
Annular -- Page 80 |
Annular Controls -- Page 80 |
Edit Profile -- Page 80 |
Trend -- Page 80 |
Edge Color Preview Window -- Page 80 |
Peak Color Preview Window -- Page 80 |
Red -- Page 80 |
Green -- Page 80 |
Blue -- Page 80 |
Saturation -- Page 80 |
Additive -- Page 80 |
Presets -- Page 80 |
Load -- Page 80 |
Save -- Page 80 |
Refract -- Page 81 |
Refract Controls -- Page 81 |
Trends -- Page 81 |
Profiles -- Page 81 |
Presets -- Page 81 |
Load -- Page 81 |
Save -- Page 81 |
Shine -- Page 82 |
Shine Controls -- Page 82 |
Trends -- Page 82 |
Width -- Page 82 |
Height -- Page 82 |
Amount -- Page 82 |
Threshold -- Page 82 |
Lightning -- Page 83 |
Lightning Controls -- Page 83 |
Trends -- Page 83 |
Add. (Additive) -- Page 83 |
Width -- Page 83 |
Direction -- Page 83 |
Branching -- Page 83 |
Zagging -- Page 83 |
Taper -- Page 83 |
Seed -- Page 83 |
Edge Color -- Page 83 |
Saturation -- Page 83 |
Glow -- Page 83 |
Aura -- Page 84 |
Aura Controls -- Page 84 |
Trends -- Page 84 |
Width -- Page 84 |
Connect -- Page 84 |
Radiate -- Page 84 |
Seed -- Page 84 |
Spokes -- Page 84 |
Spoke Variance -- Page 84 |
Rings -- Page 84 |
Ring Variance -- Page 84 |
Inner Color -- Page 84 |
Outer Color -- Page 84 |
Inner Fade -- Page 84 |
Outer Fade -- Page 84 |
Presets -- Page 84 |
Fire -- Page 85 |
Fire Controls -- Page 85 |
Trends -- Page 85 |
Length -- Page 85 |
Direction -- Page 85 |
Propagation -- Page 85 |
Seed -- Page 85 |
Color Selection -- Page 85 |
Lateral Structure -- Page 85 |
Lateral Turbidity -- Page 85 |
Longitudinal Structure -- Page 85 |
Longitudinal Turbidity -- Page 85 |
Wobbles -- Page 85 |
Wobble Amount -- Page 85 |
Distortion -- Page 85 |
Presets -- Page 85 |
Motion Blur -- Page 86 |
Motion Blur Controls -- Page 86 |
Trends -- Page 86 |
Length -- Page 86 |
Direction -- Page 86 |
Amount -- Page 86 |
Spiral Blur -- Page 87 |
Spiral Blur Controls -- Page 87 |
Trend -- Page 87 |
Radius -- Page 87 |
Rotation -- Page 87 |
Amount -- Page 87 |
Explode Blur -- Page 88 |
Explode Blur Controls -- Page 88 |
Trends -- Page 88 |
Length -- Page 88 |
Amount -- Page 88 |
Dome -- Page 89 |
Dome Controls -- Page 89 |
Trends -- Page 89 |
Distortion % -- Page 89 |
Caricature -- Page 90 |
Caricature Controls -- Page 90 |
Trends -- Page 90 |
Distortion % -- Page 90 |
Swirl -- Page 91 |
Swirl Controls -- Page 91 |
Trends -- Page 91 |
Angle -- Page 91 |
Waves -- Page 92 |
Waves Controls -- Page 92 |
Trends -- Page 92 |
X Waves -- Page 92 |
X Front -- Page 92 |
X Side -- Page 92 |
X Phase -- Page 92 |
Y Waves -- Page 92 |
Y Front -- Page 92 |
Y Sides -- Page 92 |
Y Phase -- Page 92 |
Shading -- Page 92 |
Presets -- Page 92 |
Radial Wave -- Page 93 |
Radial Wave Controls -- Page 93 |
Trend -- Page 93 |
Distortion % -- Page 93 |
Frequency -- Page 93 |
Half Waves -- Page 93 |
Radius -- Page 93 |
Phase -- Page 93 |
Shading -- Page 93 |
Turbulence -- Page 94 |
Turbulence Controls -- Page 94 |
Trend -- Page 94 |
Whorls -- Page 94 |
Movement -- Page 94 |
Swirliness -- Page 94 |
Random Seed -- Page 94 |
Surface Warp -- Page 95 |
Surface Warp Controls -- Page 95 |
Trend -- Page 95 |
Source Image Drop Down Box -- Page 95 |
Direction -- Page 95 |
Amount -- Page 95 |
Mid Level -- Page 95 |
Shading -- Page 95 |
Kaleidoscope -- Page 96 |
Kaleidoscope Controls -- Page 96 |
Trends -- Page 96 |
Mirrors -- Page 96 |
Rotate -- Page 96 |
Rotational -- Page 96 |
Roll -- Page 97 |
Roll Controls -- Page 97 |
X Roll -- Page 97 |
Y Roll -- Page 97 |
Scroll Warps -- Page 97 |
Example Use: -- Page 97 |
Shear -- Page 98 |
Shear Controls -- Page 98 |
Shear Amount -- Page 98 |
Base of Shear -- Page 98 |
Wrap -- Page 98 |
Insert Alpha -- Page 98 |
Bend -- Page 99 |
Bend Controls -- Page 99 |
Bend Amount -- Page 99 |
Base of Bend -- Page 99 |
Wrap -- Page 99 |
Insert Alpha -- Page 99 |
Mirror -- Page 100 |
Mirror Controls -- Page 100 |
Trends -- Page 100 |
Angle -- Page 100 |
Flip -- Page 101 |
Flip Controls -- Page 101 |
Trends -- Page 101 |
Flip Vertically -- Page 101 |
Flip Horizontally -- Page 101 |
Turn 90 -- Page 102 |
Turn 90 Controls -- Page 102 |
Trends -- Page 102 |
90 Degree Rotation -- Page 102 |
Rotate -- Page 103 |
Rotate Controls -- Page 103 |
Trends -- Page 103 |
Rotation -- Page 103 |
In Place -- Page 103 |
Polar/Rec -- Page 104 |
Wonk -- Page 105 |
Circe -- Page 106 |
Perspective -- Page 107 |
Perspective Controls -- Page 107 |
Trends -- Page 107 |
Show -- Page 107 |
Action View -- Page 107 |
Grab -- Page 107 |
XYZ Rotation -- Page 107 |
XYZ Position -- Page 107 |
Horizontal and Vertical Zoom -- Page 107 |
Hold 1:1 -- Page 107 |
Melt -- Page 108 |
Melt controls -- Page 108 |
Melt Amount -- Page 108 |
Direction -- Page 108 |
Gradient -- Page 108 |
3-d Net -- Page 109 |
3D Net Controls -- Page 109 |
Trends -- Page 109 |
Net Color Preview Window -- Page 109 |
Red -- Page 109 |
Green -- Page 109 |
Blue -- Page 109 |
Horizontal Size -- Page 109 |
Vertical Size -- Page 109 |
Horizontal Movement -- Page 109 |
Vertical Movement -- Page 109 |
Line Width -- Page 109 |
Random Tile -- Page 110 |
Random Tile Controls -- Page 110 |
Trends -- Page 110 |
Background Color Preview Window -- Page 110 |
Red -- Page 110 |
Green -- Page 110 |
Blue -- Page 110 |
Horizontal Size -- Page 110 |
Vertical Size -- Page 110 |
Horizontal Movement -- Page 110 |
Vertical Movement -- Page 110 |
Size Change -- Page 110 |
Line Width -- Page 110 |
Pixelize -- Page 111 |
Pixelize Controls -- Page 111 |
Trends -- Page 111 |
Edge Color Preview Window -- Page 111 |
Red -- Page 111 |
Green -- Page 111 |
Blue -- Page 111 |
Width -- Page 111 |
Height -- Page 111 |
Edge Width -- Page 111 |
Cellular -- Page 112 |
Cellular Controls -- Page 112 |
Trends -- Page 112 |
Edge Color Preview Window -- Page 112 |
Red -- Page 112 |
Green -- Page 112 |
Blue -- Page 112 |
Width -- Page 112 |
Height -- Page 112 |
Fade In -- Page 112 |
Discrete Edge -- Page 112 |
Transparent -- Page 112 |
Lined -- Page 113 |
Lined Controls -- Page 113 |
Trends -- Page 113 |
Line Color Preview Window -- Page 113 |
Red -- Page 113 |
Green -- Page 113 |
Blue -- Page 113 |
Background Color Preview Window -- Page 113 |
Place Background -- Page 113 |
Red -- Page 113 |
Green -- Page 113 |
Blue -- Page 113 |
Height -- Page 113 |
Linear Fill -- Page 114 |
Linear Fill Controls -- Page 114 |
Trends -- Page 114 |
Angle -- Page 114 |
Cycle -- Page 114 |
Smooth -- Page 114 |
Set Palette -- Page 114 |
Concentric Fill -- Page 115 |
Concentric Fill Controls -- Page 115 |
Trends -- Page 115 |
Cycle -- Page 115 |
X Bias -- Page 115 |
Y Bias -- Page 115 |
Smooth -- Page 115 |
Set Palette -- Page 115 |
Radiating Fill -- Page 116 |
Radiating Fill Controls -- Page 116 |
Trends -- Page 116 |
Cycle -- Page 116 |
X Bias -- Page 116 |
Y Bias -- Page 116 |
Smooth -- Page 116 |
Set Palette -- Page 116 |
Outline Fill -- Page 117 |
Outline Fill Controls -- Page 117 |
Trends -- Page 117 |
Width -- Page 117 |
Generations -- Page 117 |
Cycle -- Page 117 |
Inside -- Page 117 |
Crystal -- Page 117 |
Repeat -- Page 117 |
Smooth -- Page 117 |
Set Palette -- Page 117 |
Relief -- Page 118 |
Relief/Emboss Controls -- Page 118 |
Trends -- Page 118 |
Depth -- Page 118 |
Dither -- Page 119 |
Dither Controls -- Page 119 |
Trends -- Page 119 |
Width -- Page 119 |
Height -- Page 119 |
Amount -- Page 119 |
Seed -- Page 119 |
Keep Gray -- Page 119 |
Elevations -- Page 120 |
Elevations Controls -- Page 120 |
Trends -- Page 120 |
Sea Level -- Page 120 |
Shading % -- Page 120 |
Edit Palette -- Page 120 |
Use Loaded Palette -- Page 120 |
Enhance -- Page 121 |
Enhance Controls -- Page 121 |
Trends -- Page 121 |
Depth -- Page 121 |
Sharpen -- Page 122 |
Sharpen Controls -- Page 122 |
Trends -- Page 122 |
Amount -- Page 122 |
Radius -- Page 122 |
Blur -- Page 123 |
Blur (Gaussian) Controls -- Page 123 |
Trend -- Page 123 |
Radius -- Page 123 |
Remove -- Page 124 |
Remove Controls -- Page 124 |
Trends -- Page 124 |
Samples -- Page 124 |
Horizontal Remove -- Page 125 |
RGBA Remove -- Page 125 |
Red -- Page 125 |
Green -- Page 125 |
Blue -- Page 125 |
Alpha -- Page 125 |
HSV Remove -- Page 125 |
Hue -- Page 125 |
Saturation -- Page 125 |
Value -- Page 125 |
Vertical Remove -- Page 126 |
RGBA Remove -- Page 126 |
Red -- Page 126 |
Green -- Page 126 |
Blue -- Page 126 |
Alpha -- Page 126 |
HSV Remove -- Page 126 |
Hue -- Page 126 |
Saturation -- Page 126 |
Value -- Page 126 |
RIP -- Page 127 |
RIP Controls -- Page 127 |
Metric -- Page 127 |
Rebuild -- Page 127 |
Ignore Worst -- Page 127 |
Threshold -- Page 127 |
Criteria -- Page 127 |
RIS - Remove Isolated Streak -- Page 128 |
RIS Controls -- Page 128 |
Vertical % -- Page 128 |
Horizontal % -- Page 128 |
Trend -- Page 128 |
RIC - Remove Isolated Chunk -- Page 129 |
RIC Controls -- Page 129 |
Percentage -- Page 129 |
Size -- Page 129 |
Trend -- Page 129 |
Minimum -- Page 130 |
Mimimum Controls -- Page 130 |
Channel -- Page 130 |
Affect Only Alpha -- Page 130 |
Replace Alpha -- Page 130 |
Trend -- Page 130 |
Maximum -- Page 131 |
Maximum Controls -- Page 131 |
Channel -- Page 131 |
Affect Only Alpha -- Page 131 |
Replace Alpha -- Page 131 |
Trend -- Page 131 |
Shave -- Page 132 |
Shave Controls -- Page 132 |
Trends -- Page 132 |
Severity -- Page 132 |
Direction -- Page 132 |
Apply Canvas -- Page 133 |
Apply Canvas Controls -- Page 133 |
Trends -- Page 133 |
Transparency -- Page 133 |
Emboss -- Page 133 |
Radius -- Page 133 |
Amount -- Page 133 |
Canvas Source Image -- Page 133 |
B+W Emboss -- Page 133 |
Tile -- Page 133 |
Load Source -- Page 133 |
Add Texture -- Page 134 |
Add Texture Controls -- Page 134 |
Trends -- Page 134 |
Intensity -- Page 134 |
Tile -- Page 134 |
Contour -- Page 135 |
Contour Controls -- Page 135 |
Trends -- Page 135 |
Contour Line Color Preview Window -- Page 135 |
Red -- Page 135 |
Green -- Page 135 |
Blue -- Page 135 |
Background Color Preview Window -- Page 135 |
Place Background -- Page 135 |
Red -- Page 135 |
Green -- Page 135 |
Blue -- Page 135 |
Interval -- Page 135 |
Edge Detect -- Page 135 |
Truncate -- Page 136 |
Truncate Controls -- Page 136 |
Levels -- Page 136 |
RGBA -- Page 136 |
Trend -- Page 136 |
Encrypt -- Page 137 |
Encrypt Controls -- Page 137 |
Password -- Page 137 |
Derivative -- Page 138 |
Derivative Controls -- Page 138 |
Trends -- Page 138 |
Multiply Effect -- Page 138 |
Signed; On Gray -- Page 138 |
Add to Image -- Page 138 |
Variance -- Page 139 |
Variance Controls -- Page 139 |
Trends -- Page 139 |
Radius -- Page 139 |
Multiply Effect -- Page 139 |
Add to Image -- Page 139 |
Nlog -- Page 140 |
Nlog Controls -- Page 140 |
Base -- Page 140 |
Trend -- Page 140 |
Multiply -- Page 141 |
Multiply Controls -- Page 141 |
Sources -- Page 141 |
Load Source -- Page 141 |
Add Images -- Page 142 |
Add Controls -- Page 142 |
Trends -- Page 142 |
Addition mode -- Page 142 |
Subtract -- Page 143 |
Subtract Controls -- Page 143 |
Trends -- Page 143 |
Signed; On Gray -- Page 143 |
Combine -- Page 144 |
Combine Controls -- Page 144 |
Trends -- Page 144 |
Lighter/Darker -- Page 144 |
Convolve -- Page 145 |
Convolve Controls -- Page 145 |
Kernel -- Page 145 |
2 Pass -- Page 145 |
Bias -- Page 145 |
Threshold -- Page 145 |
Examples -- Page 145 |
Sobel Edge Detection -- Page 145 |
Blur -- Page 145 |
Color Emboss -- Page 145 |
Sharpen -- Page 145 |
Clip -- Page 146 |
Clip Controls -- Page 146 |
Trends -- Page 146 |
Assign the Result as Source -- Page 146 |
Transition -- Page 147 |
Transition Controls -- Page 147 |
Transition Control Files -- Page 147 |
Source -- Page 147 |
TCF Path & Source File -- Page 147 |
Time -- Page 147 |
Priority -- Page 147 |
Scale to Transition -- Page 147 |
Transition Control File Creation -- Page 148 |
Creating Transition Control Files -- Page 149 |
Spinning Star Example -- Page 150 |
Advanced Concepts for Transition Control Files -- Page 151 |
expression evaluator in action with transition -- Page 152 |
Tiler -- Page 153 |
Tiler Controls -- Page 153 |
N & M -- Page 153 |
Frame -- Page 153 |
Source -- Page 153 |
Scaling -- Page 153 |
Alignment -- Page 153 |
Priority -- Page 153 |
Merge -- Page 154 |
Merge Controls -- Page 154 |
Trends -- Page 154 |
Warp to new Shape -- Page 154 |
Tile -- Page 154 |
Key In -- Page 155 |
Key In Controls -- Page 155 |
Trends -- Page 155 |
Source Image Drop Down Box -- Page 155 |
Load Source -- Page 155 |
Inverse Color Key -- Page 155 |
Soft Color Replacement -- Page 155 |
Key Range -- Page 155 |
Set Color -- Page 155 |
Key on Source -- Page 155 |
Place -- Page 156 |
Place Controls -- Page 156 |
Trends -- Page 156 |
Only Place in Area Selected -- Page 156 |
Stroke -- Page 157 |
Stroke Controls -- Page 157 |
Pour (Image Barrel) -- Page 157 |
Zero (Image Barrel) -- Page 157 |
Random (Image Barrel) -- Page 157 |
NoRep (Image Barrel) -- Page 157 |
Reseed (Image Barrel) -- Page 157 |
Reverse (Image Barrel) -- Page 157 |
Seed (Image Barrel) -- Page 157 |
Level (Shadow) -- Page 157 |
On (Shadow) -- Page 157 |
Soft (Shadow) -- Page 157 |
Xo (Shadow) -- Page 157 |
Yo (Shadow) -- Page 157 |
Brush -- Page 157 |
Load Brush -- Page 157 |
Mode -- Page 157 |
No Fade (Fading) -- Page 157 |
Fade Out (Fading) -- Page 157 |
Fade In (Fading) -- Page 157 |
Fade Peak (Fading) -- Page 157 |
Fade Valley (Fading) -- Page 157 |
Edit (Palette) -- Page 157 |
Smooth(Palette) -- Page 157 |
Wrap (Palette) -- Page 157 |
Abs. Trans (Application Mode) -- Page 157 |
Hue Lock (Application Mode) -- Page 157 |
Smoothing (Application Mode) -- Page 157 |
Spacing (Positioning) -- Page 157 |
Guess (Positioning) -- Page 157 |
Ghostwrite (Positioning, Timeline) -- Page 157 |
Roughness (Positioning) -- Page 157 |
Seed (Positioning) -- Page 157 |
Reseed (Positioning) -- Page 157 |
Size1 (Sizing) -- Page 157 |
Size2 (Sizing) -- Page 157 |
Seed (Sizing) -- Page 157 |
Reseed (Sizing) -- Page 157 |
None (Sizing, Method) -- Page 157 |
Absolute (Sizing, Method) -- Page 157 |
Grow (Sizing, Method) -- Page 157 |
Shrink (Sizing, Method) -- Page 157 |
Random (Sizing, Method) -- Page 157 |
Rot1 (Rotation) -- Page 157 |
Rot2 (Rotation) -- Page 157 |
Seed (Rotation) -- Page 157 |
Reseed (Rotation) -- Page 157 |
None (Rotation, Method) -- Page 157 |
Absolute (Rotation, Method) -- Page 157 |
Follow (Rotation, Method) -- Page 157 |
CW (Rotation, Method) -- Page 157 |
CCW (Rotation, Method) -- Page 157 |
Random (Rotation, Method) -- Page 157 |
Seed (Flipping) -- Page 157 |
Reseed (Flipping) -- Page 157 |
None, Horizontal (Flipping, Modes) -- Page 157 |
H (Flipping, Modes) -- Page 157 |
RH (Flipping, Modes) -- Page 157 |
None, Vertical (Flipping, Modes) -- Page 157 |
V (Flipping, Modes) -- Page 157 |
RV (Flipping, Modes) -- Page 157 |
Extend -- Page 158 |
Extend Controls -- Page 158 |
Trends -- Page 158 |
Color Set -- Page 158 |
Direction -- Page 158 |
Amount -- Page 158 |
Replace Image -- Page 158 |
Replicate -- Page 158 |
Enlarge -- Page 159 |
Enlarge Controls -- Page 159 |
Trends -- Page 159 |
Width % -- Page 159 |
Height % -- Page 159 |
Replace Image -- Page 159 |
Constant Zoom -- Page 159 |
Reduce -- Page 160 |
Reduce Controls -- Page 160 |
Trends -- Page 160 |
Width % -- Page 160 |
Height % -- Page 160 |
Replace Image -- Page 160 |
Constant Zoom -- Page 160 |
SPercent -- Page 161 |
SPercent Controls -- Page 161 |
Priority -- Page 161 |
X%, Y% -- Page 161 |
Replace Image -- Page 161 |
Trend -- Page 161 |
SPixel -- Page 162 |
SPixel Controls -- Page 162 |
Priority -- Page 162 |
X width, Y width -- Page 162 |
Replace Image -- Page 162 |
Trend -- Page 162 |
DOF - Depth of Field -- Page 163 |
DOF controls -- Page 163 |
Source -- Page 163 |
Aperture -- Page 163 |
Landscape -- Page 164 |
Landscape Controls -- Page 164 |
Trends -- Page 164 |
Ground -- Page 164 |
Strata -- Page 164 |
m -- Page 164 |
Load Source and Source Drop-Down List -- Page 164 |
Wireframe -- Page 164 |
Perspective -- Page 164 |
Stereo -- Page 164 |
Stereo Sep -- Page 164 |
Cliffing -- Page 164 |
Texturing -- Page 164 |
Texture Depth -- Page 164 |
Light X, Y and Z Rotation -- Page 164 |
Atmos. Haze -- Page 164 |
Camera Depth -- Page 164 |
Gourand -- Page 164 |
Shadows -- Page 164 |
Waves -- Page 164 |
Over Sky -- Page 164 |
Cliff Threshold -- Page 164 |
Sea Level -- Page 164 |
X, Y and Z Rotation -- Page 164 |
Elevation -- Page 164 |
Palette Mix -- Page 164 |
Interval -- Page 164 |
Ambient -- Page 164 |
X, Y and Z scale -- Page 164 |
Sky Reflect -- Page 164 |
Fog Lin. (Fog Linearity) -- Page 164 |
Flat Map -- Page 165 |
Flat Map Controls -- Page 165 |
Trends -- Page 165 |
Ground -- Page 165 |
Strata -- Page 165 |
m -- Page 165 |
Load Source and Source Drop-Down List -- Page 165 |
Cliff Threshold -- Page 165 |
Sea Level -- Page 165 |
Exfoliation -- Page 166 |
Exfoliation Controls -- Page 166 |
Trends -- Page 166 |
Stress -- Page 166 |
Cycles -- Page 166 |
Entrainment -- Page 167 |
Entrainment Controls -- Page 167 |
Trends -- Page 167 |
Precip -- Page 167 |
Sea Level -- Page 167 |
Erosion -- Page 167 |
Sediment -- Page 167 |
Crater -- Page 168 |
Crater Controls -- Page 168 |
Trends -- Page 168 |
Impact -- Page 168 |
Variance -- Page 168 |
Seed -- Page 168 |
Leveling -- Page 168 |
Burrowing -- Page 168 |
Ejecta Profile -- Page 168 |
Crater Profile (center to edge) -- Page 168 |
Ruler -- Page 169 |
Ruler Controls -- Page 169 |
Align -- Page 169 |
Offset -- Page 169 |
Start -- Page 169 |
Number Priority -- Page 169 |
New Image -- Page 169 |
Number, Gradient, Border and Background colors -- Page 169 |
Grid -- Page 170 |
Grid Controls -- Page 170 |
Line Weight -- Page 170 |
Start -- Page 170 |
Spacing -- Page 170 |
New Image -- Page 170 |
Number Every Intersection -- Page 170 |
Tick Marks -- Page 170 |
Number, Grid, Border and Background colors -- Page 170 |
Texture -- Page 171 |
Texture Controls -- Page 171 |
Illuminated -- Page 171 |
Resolution -- Page 171 |
Seed -- Page 171 |
Depth -- Page 171 |
Turb. -- Page 171 |
Type -- Page 171 |
Max Dynamic -- Page 171 |
Inversion -- Page 171 |
Threshold -- Page 171 |
Class -- Page 171 |
T-Variance* -- Page 171 |
Detail* -- Page 171 |
Scroll Direction* -- Page 171 |
Overwrite -- Page 171 |
Trend -- Page 171 |
Animation Examples for Texture Operator -- Page 172 |
Bang -- Page 173 |
Bang controls -- Page 173 |
Resolution -- Page 173 |
Seed -- Page 173 |
Depth -- Page 173 |
Turbulence -- Page 173 |
Overfill -- Page 173 |
Threshold -- Page 173 |
Max Dynamic -- Page 173 |
Inversion -- Page 173 |
Class -- Page 173 |
Scroll Direction* -- Page 173 |
T-Variance* -- Page 173 |
Detail* -- Page 173 |
Maximum and Minimum -- Page 173 |
Transparency -- Page 173 |
Peaking -- Page 173 |
Palette & Lock -- Page 173 |
Trend -- Page 173 |
Ray Trace -- Page 174 |
Ray Trace Controls -- Page 174 |
Anitaliasing -- Page 174 |
Trace File -- Page 174 |
Trace Path -- Page 174 |
Recursion -- Page 174 |
Ray Trace Language: "SceneScript" -- Page 174 |
Examples -- Page 174 |
A Red Ball -- Page 174 |
Tri-Color Triangle -- Page 174 |
See Also: -- Page 174 |
More Example Files -- Page 174 |
Conversion Utilities -- Page 174 |
An introduction to Ray Tracing -- Page 182 |
What is Ray Tracing? -- Page 183 |
How do you describe a SceneScript to WinImages F/x? -- Page 184 |
A simple example for WinImages F/x's Ray Trace operator -- Page 185 |
Libraries and traits -- Page 186 |
Imagemaps -- Page 187 |
Multiple Objects & Changing View -- Page 188 |
Texturemaps -- Page 189 |
Mathematical Expressions & Keys -- Page 190 |
Another Ray Tracing Example -- Page 191 |
Julia -- Page 192 |
Julia Controls -- Page 192 |
P1 -- Page 192 |
P2 -- Page 192 |
Zoom Factor -- Page 192 |
X Pan -- Page 192 |
Y Pan -- Page 192 |
Palette Offset -- Page 192 |
Set Palette -- Page 192 |
Lamba -- Page 192 |
Mandelbrot -- Page 193 |
Mandelbrot Controls -- Page 193 |
P1 -- Page 193 |
P2 -- Page 193 |
Zoom Factor -- Page 193 |
X Pan -- Page 193 |
Y Pan -- Page 193 |
Palette Offset -- Page 193 |
Set Palette -- Page 193 |
Pagecurl -- Page 194 |
Page Curl Controls -- Page 194 |
Trends -- Page 194 |
Transparency -- Page 194 |
Active Corner -- Page 194 |
Shadow -- Page 194 |
Vertical Priority -- Page 194 |
Exposure -- Page 194 |
Highlight -- Page 194 |
Alpha -- Page 194 |
Particle Systems -- Page 195 |
Samples -- Page 195 |
Overview -- Page 195 |
Units of Measure -- Page 195 |
System Composition -- Page 195 |
Particle System Particle Editing Controls -- Page 195 |
Distribution Control and Z Scale -- Page 195 |
Center, Width, Velocity -- Page 195 |
Construction Detail -- Page 195 |
Particle Size -- Page 195 |
Advance Range -- Page 195 |
Wrapping -- Page 195 |
Draw Modes -- Page 195 |
Applied Forces -- Page 195 |
System Operations -- Page 195 |
Preview -- Page 195 |
Palette -- Page 195 |
Particle System Force Editing Controls -- Page 195 |
Application Range -- Page 195 |
Force Decay Time -- Page 195 |
Width -- Page 195 |
Velocity -- Page 195 |
Type and Vortex Shear -- Page 195 |
Enabled -- Page 195 |
Turbulence and Turb. Multiplier -- Page 195 |
Size Multiplier -- Page 195 |
Fade Multiplier -- Page 195 |
Pal. Adv. Multiplier -- Page 195 |
Other Controls -- Page 195 |
Color Fill -- Page 204 |
Color Fill Controls -- Page 204 |
Trends -- Page 204 |
Set Color -- Page 204 |
Red -- Page 204 |
Green -- Page 204 |
Blue -- Page 204 |
Color Wells -- Page 204 |
WIS Scripts -- Page 205 |
Script Controls -- Page 205 |
Path & Script File -- Page 205 |
Browse -- Page 205 |
Edit -- Page 205 |
New -- Page 205 |
Key Features -- Page 205 |
Where do scripts go? -- Page 205 |
How it Works -- Page 205 |
An Introduction to Scripting Syntax -- Page 205 |
Skeletal Syntax Issues -- Page 205 |
Scripting Quick Reference -- Page 206 |
Specific Script Commands to WinImages FX operators -- Page 207 |
Version, Revision and Level Script Commands -- Page 208 |
Image Stacking Script Commands -- Page 209 |
Mask Stacking Script Commands -- Page 210 |
Image and Mask Exchange Script Commands -- Page 211 |
General Masking (selection) Script Commands -- Page 212 |
Obtaining information about the image in your scripts -- Page 213 |
Obtaining information about the Selection in your scripts -- Page 214 |
Creating New Selections in your scripts -- Page 215 |
Working with Image Data in your scripts -- Page 216 |
Working with Palette Data in your scripts -- Page 217 |
Working with Profile Data in your scripts -- Page 218 |
Utility Functions for your scripts -- Page 219 |
Script/Timeline Interaction in your scripts -- Page 220 |
BASIC-like Script Commands -- Page 221 |
Accessing Profiles and Palettes -- Page 222 |
Available Profiles -- Page 222 |
Available Palettes -- Page 222 |
Scripting Examples -- Page 223 |
Scripting Problems -- Page 224 |
Function Won't Work -- Page 224 |
Loops have a "Jerk" in them -- Page 224 |
Variables aren't set the way they should be -- Page 224 |
Plug-ins -- Page 225 |
General Information -- Page 225 |
Trending Plug-in Effects -- Page 225 |
Area Selections -- Page 225 |
Color Transfer Modes -- Page 225 |
Saving Plug-in Settings -- Page 225 |
Loading Plug-Ins -- Page 225 |
Source and Brush Images -- Page 225 |
Scripting -- Page 225 |
Undo and Plug-ins -- Page 225 |
Want to develop WinImages F/x plug-ins yourself? -- Page 225 |
Swap RGBA -- Page 226 |
Swap RGBA Controls -- Page 226 |
Swap Selection -- Page 226 |
Trend -- Page 226 |
Measure -- Page 227 |
Colorize -- Page 228 |
Colorize Controls -- Page 228 |
Trends -- Page 228 |
Hue -- Page 228 |
Saturation -- Page 228 |
Luma -- Page 228 |
Pick Color -- Page 228 |
Apply Saturation Also -- Page 228 |
Contrast -- Page 229 |
Contrast Controls -- Page 229 |
Trends -- Page 229 |
Contrast -- Page 229 |
Brightness -- Page 230 |
Brightness Controls -- Page 230 |
Trends -- Page 230 |
Brightness -- Page 230 |
Gamma -- Page 231 |
Gamma Controls -- Page 231 |
Trends -- Page 231 |
Gamma -- Page 231 |
Force Dynamic Range -- Page 232 |
Balance -- Page 233 |
Balance Controls -- Page 233 |
Trends -- Page 233 |
Pick Color -- Page 233 |
Red -- Page 233 |
Green -- Page 233 |
Blue -- Page 233 |
Force Dynamic Range -- Page 233 |
Balance to Black -- Page 233 |
Balance to White -- Page 233 |
Balance to Gray -- Page 233 |
Histogram -- Page 234 |
Histogram Controls -- Page 234 |
Trends -- Page 234 |
Show Map -- Page 234 |
Reset Map -- Page 234 |
Histogram Equalize -- Page 234 |
Independent RGB -- Page 234 |
Apply -- Page 234 |
Brightness and Contrast -- Page 234 |
Gather Histogram -- Page 234 |
Sample -- Page 235 |
Sample Controls -- Page 235 |
Trends -- Page 235 |
Red -- Page 235 |
Green -- Page 235 |
Blue -- Page 235 |
Red range -- Page 235 |
Green range -- Page 235 |
Blue range -- Page 235 |
Make this the Key Color -- Page 235 |
Include Extreme Variations -- Page 235 |
Set Color -- Page 235 |
Hex Display and Clipboard Copy -- Page 235 |
Remap -- Page 236 |
Remap Controls -- Page 236 |
Trends -- Page 236 |
Position -- Page 236 |
From and To Colors -- Page 236 |
Set From Colors -- Page 236 |
Set To Colors -- Page 236 |
Offset -- Page 236 |
Nearness -- Page 236 |
Palette Size -- Page 236 |
CMap -- Page 237 |
CMap Controls -- Page 237 |
Channel -- Page 237 |
Smooth -- Page 237 |
Trend -- Page 237 |
Remapping a FITS image -- Page 237 |
Build Palette -- Page 238 |
Build Palette Timeline Example -- Page 238 |
Generating a Palette for a Single Image -- Page 238 |
Build Palette Controls -- Page 238 |
Clear -- Page 238 |
Accumulate -- Page 238 |
Generate Palette -- Page 238 |
Load Palette -- Page 238 |
Save Palette -- Page 238 |
Reduction Settings -- Page 238 |
Edit -- Page 238 |
Render Transparent Color -- Page 238 |
Make Alpha -- Page 239 |
Make Alpha Controls -- Page 239 |
Trends -- Page 239 |
Alpha Level -- Page 239 |
Sample Alpha -- Page 239 |
Mask with Existing Alpha -- Page 239 |
Mask with Source Luminance -- Page 239 |
Methods -- Page 239 |
Key To Alpha -- Page 240 |
Key To Alpha Controls -- Page 240 |
Trends -- Page 240 |
Set Color -- Page 240 |
Inverse Color Key -- Page 240 |
Soft Color Matching -- Page 240 |
Key Range -- Page 240 |
Invert Alpha -- Page 241 |
Harden Alpha -- Page 242 |
Harden Alpha Controls -- Page 242 |
Trends -- Page 242 |
Threshold -- Page 242 |
Amount -- Page 242 |
Soften Alpha -- Page 243 |
Soften Alpha Controls -- Page 243 |
Trends -- Page 243 |
Radius -- Page 243 |
Promote RGB to Alpha Channel -- Page 244 |
Promote RGB Controls -- Page 244 |
Channels -- Page 244 |
Greyscale -- Page 244 |
Invert -- Page 244 |
Sample Alpha Level -- Page 245 |
Alpha Action Summary -- Page 245 |
Sample Alpha Controls -- Page 245 |
Level -- Page 245 |
Method -- Page 245 |
Shave Alpha -- Page 246 |
Shave Alpha Controls -- Page 246 |
Trends -- Page 246 |
Bump Size -- Page 246 |
Clip Alpha -- Page 247 |
Clip Alpha Controls -- Page 247 |
Trends -- Page 247 |
Assign the Result as Source -- Page 247 |
Make Area -- Page 248 |
Make Area Controls -- Page 248 |
Update the Timeline with this Selection -- Page 248 |
Gouache -- Page 249 |
Goache Controls -- Page 249 |
Trends -- Page 249 |
Radius -- Page 249 |
Intensity -- Page 249 |
Toonize -- Page 250 |
Oil Painting -- Page 251 |
Oil Painting Controls -- Page 251 |
Trends -- Page 251 |
Layers -- Page 251 |
Watercolor -- Page 252 |
Watercolor Controls -- Page 252 |
Trends -- Page 252 |
Percentage -- Page 252 |
Pseudo Color -- Page 253 |
False Color -- Page 254 |
Solarize -- Page 255 |
Blueprint -- Page 256 |
Blue Print Controls -- Page 256 |
Interval -- Page 256 |
Monochrome -- Page 257 |
Monochrome Controls -- Page 257 |
Trend -- Page 257 |
Luminance/RGB Average -- Page 257 |
Negative -- Page 258 |
Negative Controls -- Page 258 |
Trends -- Page 258 |
Adjust Hue -- Page 259 |
Hue Controls -- Page 259 |
Trends -- Page 259 |
Hue -- Page 259 |
Saturation -- Page 260 |
Saturation Controls -- Page 260 |
Trends -- Page 260 |
Saturation -- Page 260 |
Adjust Value -- Page 261 |
Value Controls -- Page 261 |
Trends -- Page 261 |
Value -- Page 261 |
Glare -- Page 262 |
Glare Controls -- Page 262 |
Trends -- Page 262 |
Reduce/Increase -- Page 262 |
Amount -- Page 262 |
Antique -- Page 263 |
Antique Controls -- Page 263 |
Trends -- Page 263 |
Antique/Un-Antique -- Page 263 |
Color Gel -- Page 264 |
Color Gel Controls -- Page 264 |
RGB Controls -- Page 264 |
NTSC Filter -- Page 265 |
NTSC Filter Controls -- Page 265 |
Trends -- Page 265 |
NTSC Limit -- Page 265 |
NTSC Filter -- Page 265 |
Frame Rates -- Page 266 |
Frame Rate Controls -- Page 266 |
Trends -- Page 266 |
Interlace Aware/Frame Repeat -- Page 266 |
NTSC/PAL -- Page 266 |
Make Video Fields -- Page 267 |
Make Fields Controls -- Page 267 |
Field Dominance Switch -- Page 267 |
Replace Image -- Page 267 |
Film Grain -- Page 268 |
Film Grain Controls -- Page 268 |
Trends -- Page 268 |
Grain Width -- Page 268 |
Grain Height -- Page 268 |
Intensity -- Page 268 |
Seed -- Page 268 |
Scanline -- Page 269 |
Scanline Controls -- Page 269 |
Scanlines On -- Page 269 |
Line Width -- Page 269 |
Jitter -- Page 270 |
Jitter Controls -- Page 270 |
Seed -- Page 270 |
Probability -- Page 270 |
Spoke Interval -- Page 270 |
Max Spokes -- Page 270 |
Interstitial Region -- Page 270 |
Direction -- Page 270 |
Bar Color -- Page 270 |
Flicker -- Page 271 |
Flicker Controls -- Page 271 |
Seed -- Page 271 |
Probability -- Page 271 |
Max Change -- Page 271 |
Min Change -- Page 271 |
Trend -- Page 271 |
Stabilize -- Page 272 |
Stabilize Controls -- Page 272 |
Gathering Options -- Page 272 |
Point of Interest -- Page 272 |
Displacement -- Page 272 |
Edges -- Page 272 |
Solid Color -- Page 272 |
Texture -- Page 272 |
Aspect Ratio -- Page 273 |
Aspect Ratio Controls -- Page 273 |
Aspect -- Page 273 |
DPI -- Page 274 |
DPI Controls -- Page 274 |
DPI -- Page 274 |
Author Name -- Page 275 |
Author Name Controls -- Page 275 |
Author -- Page 275 |
Annotation -- Page 276 |
Annotation Controls -- Page 276 |
Annotation -- Page 276 |
Copyright -- Page 277 |
Copyright Controls -- Page 277 |
Copyright -- Page 277 |
Other Tools -- Page 278 |
The Filmstrip Tool -- Page 278 |
The Timeline Tool -- Page 278 |
The Zoom Tool -- Page 278 |
Modal Zoom -- Page 278 |
The Undo Tool -- Page 278 |
Filmstrip -- Page 279 |
The Controls -- Page 279 |
Status Bar -- Page 280 |
Status Bar Controls -- Page 280 |
Current Operation (Op) -- Page 280 |
Drawing Method -- Page 280 |
Current pointer Position, RGB Color (At) -- Page 280 |
Operation Progress Bar -- Page 280 |
Sequence Progress Bar -- Page 280 |
Pause Sequence -- Page 280 |
Stop Sequence -- Page 280 |
Timeline Basics -- Page 281 |
Timeline Basics - An Overview - Controls -- Page 282 |
Timeline Basics - The Timeline Dialog Controls -- Page 283 |
Timeline Controls -- Page 283 |
Area Selections -- Page 283 |
Operations -- Page 283 |
Action Images -- Page 283 |
Load Timeline -- Page 283 |
Save Timeline -- Page 283 |
Generate Sequence -- Page 283 |
Timeline Frame -- Page 283 |
Time (MM:SS.) -- Page 283 |
Level -- Page 283 |
Time Object -- Page 283 |
Erase Timeline -- Page 283 |
Sizing -- Page 283 |
Setup -- Page 283 |
Close Timeline -- Page 283 |
Timeline Basics - Timeline Controls Basic Tutorial -- Page 284 |
Timeline Basics - How Do I? -- Page 285 |
Timeline Area Selection Dialog -- Page 286 |
Timeline Area Selection Dialog Part 1 - An Overview -- Page 287 |
Timeline Area Selection Dialog - Details -- Page 288 |
Area Selection Dialog Controls -- Page 288 |
Method -- Page 288 |
Interpolate -- Page 288 |
Make the Area Selection now -- Page 288 |
Delete -- Page 288 |
Splined Interpolation -- Page 288 |
Show Details -- Page 288 |
The Area Selection Detail Dialog -- Page 288 |
Detailed Area Selection Controls -- Page 288 |
Method -- Page 288 |
Name -- Page 288 |
Image Size -- Page 288 |
Roundness -- Page 288 |
Center -- Page 288 |
Position -- Page 288 |
Boolean Modifiers -- Page 288 |
Feather -- Page 288 |
Make the Area Selection now -- Page 288 |
Transparency -- Page 288 |
Font Description -- Page 288 |
Key Color -- Page 288 |
Splatter -- Page 288 |
Interpolate -- Page 288 |
Delete -- Page 288 |
Timeline Area Selection Dialog - Tutorial -- Page 289 |
Timeline Area Selection Dialog - How Do I? -- Page 290 |
Timeline Operation Dialog -- Page 291 |
Timeline Operation Dialog - Overview -- Page 292 |
Timeline Operation Dialog - Details -- Page 293 |
Get Current Settings -- Page 293 |
Get Settings from Trends -- Page 293 |
Set Current Settings -- Page 293 |
Set Trends -- Page 293 |
Interpolate Settings -- Page 293 |
Remove Operation -- Page 293 |
Specify Source Image -- Page 293 |
Specify Action Image -- Page 293 |
Timeline Operation Dialog - Tutorial -- Page 294 |
Timeline Operation Dialog - How Do I? -- Page 295 |
Timeline Controls - Action, Source and Brush Image Dialogs -- Page 296 |
Timeline Controls - Action, Source and Brush Image Dialogs - Overview -- Page 297 |
Timeline Controls - Action, Brush and Source Image Dialog Controls -- Page 298 |
Specify Image File -- Page 298 |
Use Loaded Image -- Page 298 |
This is a Video Sequence -- Page 298 |
Start Frame -- Page 298 |
Frame Increment -- Page 298 |
Remove -- Page 298 |
Timeline Controls - Action, Brush and Source Image Dialogs - Tutorial -- Page 299 |
Timeline Controls - Action, Brush and Source Image Dialogs - How do I? -- Page 300 |
Trends -- Page 301 |
Keystrokes used in WinImages F/x -- Page 302 |
Display Quality -- Page 303 |
Error Messages -- Page 304 |
Memory Issues -- Page 305 |
The Palette Dialog -- Page 306 |
Palette Controls -- Page 306 |
Hue and Saturation Color Wheel -- Page 306 |
Luminance Control -- Page 306 |
Color Preview Box -- Page 306 |
Size -- Page 306 |
Position -- Page 306 |
Color Spaces -- Page 306 |
RGB (or CMYK, CMY, HSV, HSL, YIQ) -- Page 306 |
Hue Sort -- Page 306 |
Luma Sort -- Page 306 |
Hue Spread -- Page 306 |
Luma Spread -- Page 306 |
Insert -- Page 306 |
pics/pa_fullview.jpg -- Page 306 |
Full View Palette -- Page 306 |
Load Range -- Page 306 |
Save Range -- Page 306 |
Merge -- Page 306 |
Copy -- Page 306 |
Swap -- Page 306 |
Mirror -- Page 306 |
Repeat -- Page 306 |
Named Colors -- Page 306 |
Find -- Page 306 |
Add -- Page 306 |
Remove -- Page 306 |
Change -- Page 306 |
Load -- Page 306 |
Save -- Page 306 |
Undo -- Page 306 |
Close -- Page 306 |
How to Create a Range of Colors -- Page 306 |
Palettes and the Timeline -- Page 306 |
The Color Selection Dialog -- Page 307 |
Controls -- Page 307 |
Hue and Saturation Color Wheel -- Page 307 |
Luminance Control -- Page 307 |
Color Preview Box -- Page 307 |
Color Spaces -- Page 307 |
RGB (or CMYK, CMY, HSV, HSL, YIQ) -- Page 307 |
Named Colors -- Page 307 |
Find -- Page 307 |
Add -- Page 307 |
Remove -- Page 307 |
Change -- Page 307 |
ok -- Page 307 |
Tutorials, Samples and Add-ons -- Page 308 |
Tutorial index -- Page 308 |
Samples -- Page 308 |
Asterize Tutorial -- Page 309 |
Introduction -- Page 309 |
Part 1 - The Basics -- Page 309 |
Part 2 - The Arm Profile -- Page 309 |
Part 3 - Animations and Trends -- Page 309 |
Motion Blur Tutorial -- Page 310 |
Tutorial steps -- Page 310 |
Cool Things to do with Font Areas -- Page 311 |
Metallic Look -- Page 311 |
Distort Fonts -- Page 311 |
Metal Puddles -- Page 312 |
Gel Button Tutorial -- Page 313 |
Tutorial Steps -- Page 313 |
Power Colorizing -- Page 314 |
How to produce Duotones, Quadtones... Anytones! -- Page 314 |
Glass Effects -- Page 315 |
Relief effects on glass balls -- Page 315 |
Glass Font Tutorial Using Layers -- Page 315 |
Vulcan Look -- Page 316 |
Gold Foil Text -- Page 317 |
Basic Questions & Answers -- Page 318 |
WinImages Morph -- Page 319 |
Welcome -- Page 319 |
WinImages Morph System Requirements -- Page 320 |
Getting Started with WinImages Morph - the Basics -- Page 321 |
Perform a Morph -- Page 321 |
Saving your Work -- Page 321 |
What is Morphing? -- Page 322 |
General -- Page 322 |
Quick Technical Overview -- Page 322 |
Controlling Morphing -- Page 322 |
Points -- Page 322 |
Links -- Page 322 |
Lines and Curves -- Page 322 |
Layers -- Page 322 |
Operation - WinImages Morph -- Page 323 |
Using WinImages Morph -- Page 323 |
WinImages Morph menu commands -- Page 324 |
File Menu -- Page 324 |
Open Project... -- Page 324 |
Save Project As... -- Page 324 |
Close Project -- Page 324 |
Load Start Frame/Load Start Image... -- Page 324 |
Importers -- Page 324 |
Native Loaders -- Page 324 |
Load End Frame/Load End Image... -- Page 324 |
Importers -- Page 324 |
Native Loaders -- Page 324 |
Load Result Frame/Load Result Image... -- Page 324 |
Importers -- Page 324 |
Native Loaders -- Page 324 |
Save Start frame as... -- Page 324 |
Save End frame as... -- Page 324 |
Save Result as... -- Page 324 |
Print Image -- Page 324 |
Capture Screen... -- Page 324 |
Screen Capture Controls: -- Page 324 |
Delay till Capture: -- Page 324 |
Specify: -- Page 324 |
Output Image Path+Name/Ext: -- Page 324 |
Save File as Type: -- Page 324 |
Color Depth: -- Page 324 |
JPEG Quality: -- Page 324 |
Counter: -- Page 324 |
Edit Menu -- Page 325 |
Copy -- Page 325 |
Objects Menu -- Page 326 |
Load Objects... -- Page 326 |
Save Objects... -- Page 326 |
Delete Objects... -- Page 326 |
Shape from Corner... -- Page 326 |
Rectangle from Corner... -- Page 326 |
Ellipse from Corner... -- Page 326 |
Generate Menu -- Page 327 |
Sequence Controls -- Page 327 |
Total frames: -- Page 327 |
Begin Frame #: -- Page 327 |
Finish Frame #: -- Page 327 |
Current Frame #: -- Page 327 |
Anti-Alias: -- Page 327 |
Save Result: -- Page 327 |
Output file: -- Page 327 |
Specify: -- Page 327 |
Save File as Type: -- Page 327 |
Output size: -- Page 327 |
Match Start Aspect Ratio -- Page 327 |
Match End Aspect Ratio -- Page 327 |
Set to Start Frame size -- Page 327 |
Set to End Frame size -- Page 327 |
Do one frame... -- Page 327 |
Sequence generate... -- Page 327 |
Process Alpha -- Page 327 |
Motion Morph -- Page 327 |
Animation (File) Frame Rate (Morph) -- Page 327 |
Milliseconds per frame -- Page 327 |
Frames per second -- Page 327 |
Jiffies (per frame) -- Page 327 |
Specify Motion start frames... -- Page 327 |
Specify Motion end frames... -- Page 327 |
Specify Motion point files... -- Page 327 |
Load the Motion files for this frame... -- Page 327 |
Display Menu -- Page 328 |
Display Depth -- Page 328 |
RGB 24-bit -- Page 328 |
RGB 16-bit -- Page 328 |
256 Color -- Page 328 |
256 Gray -- Page 328 |
16 Color -- Page 328 |
16 Gray -- Page 328 |
2 level B+W -- Page 328 |
Show Placement Tools... -- Page 328 |
Dark background -- Page 328 |
Size Windows... -- Page 328 |
Hold Aspect -- Page 328 |
Hold Relative Size -- Page 328 |
Set Zoom Level -- Page 328 |
Show Alpha in Views -- Page 328 |
Set Alpha View Color... -- Page 328 |
Set Off Image Color... -- Page 328 |
Beep when palette changes -- Page 328 |
Settings Menu -- Page 329 |
Set Transparency... -- Page 329 |
Transition -- Page 329 |
Distortion -- Page 329 |
Set Velocity... -- Page 329 |
Buttons use Text -- Page 329 |
Set Line Color... -- Page 329 |
Set Selected Color... -- Page 329 |
Set Handle Color... -- Page 329 |
Set Link Color... -- Page 329 |
Set Line Thickness... -- Page 329 |
Show Chronograph -- Page 329 |
Keep a log file -- Page 329 |
Filmstrip Menu -- Page 330 |
Show Filmstrip -- Page 330 |
Filmstrip Resolution -- Page 330 |
Animation Settings -- Page 330 |
Load filmstrip... -- Page 330 |
Save filmstrip... -- Page 330 |
Save filmstrip as FLI/FLC... -- Page 330 |
Save filmstrip as 8-bit AVI... -- Page 330 |
Save filmstrip as 24-bit AVI... -- Page 330 |
Animation File Frame Rate... -- Page 330 |
Milliseconds per frame -- Page 330 |
Frames per second -- Page 330 |
Jiffies (per frame) -- Page 330 |
View Menu -- Page 331 |
Play AVI... -- Page 331 |
Show Onion Skin View... -- Page 331 |
The Controls: -- Page 331 |
Show Through: -- Page 331 |
S/E: -- Page 331 |
S/E Contrast: -- Page 331 |
S/E Brightness: -- Page 331 |
Selected/All/Off: -- Page 331 |
Frame: -- Page 331 |
Point Density: -- Page 331 |
Generate: -- Page 331 |
Image Information... -- Page 331 |
Change Image Information... -- Page 331 |
Help Menu -- Page 332 |
About morph... -- Page 332 |
Getting Started... -- Page 332 |
Display quality... -- Page 332 |
Manual... -- Page 332 |
Technical Support (Via Internet) -- Page 332 |
System Information... -- Page 332 |
Tip of The Day -- Page 332 |
Object Placement Toolbox -- Page 333 |
The Point Tool: -- Page 333 |
Links, placed with the Points tool -- Page 333 |
The Freehand Tool: -- Page 333 |
The Oval Tool: -- Page 333 |
The Rectangle Tool: -- Page 333 |
The Polyline Tool: -- Page 333 |
The IShape Tool: -- Page 333 |
The Spline Tool: -- Page 333 |
The Bezier Curve Tool: -- Page 333 |
Move Object: -- Page 333 |
Load an IShape: -- Page 333 |
Save an IShape: -- Page 333 |
Main Window Buttons -- Page 334 |
Delete Point -- Page 334 |
Create Link -- Page 334 |
Set -- Page 334 |
Group Curve (rectangular selection) -- Page 334 |
Bound Curve (freehand selection) -- Page 334 |
Set Layer -- Page 334 |
Controls: -- Page 334 |
Layers -- Page 334 |
OK -- Page 334 |
Add New Layer: -- Page 334 |
Remove Layer (Keep Objects): -- Page 334 |
Delete Layer (Delete Objects): -- Page 334 |
Reorder ^: -- Page 334 |
Reorder v: -- Page 334 |
Make area boundary: -- Page 334 |
Rename: -- Page 334 |
Area Status: -- Page 334 |
Animate -- Page 334 |
Zoom/Negative Zoom -- Page 334 |
View Windows -- Page 335 |
Film Strip -- Page 336 |
Velocity Curve Window -- Page 337 |
Rename: -- Page 337 |
Smooth: -- Page 337 |
Choose: -- Page 337 |
New: -- Page 337 |
Load: -- Page 337 |
Save: -- Page 337 |
Undo: -- Page 337 |
Done: -- Page 337 |
Transparency Curve Window -- Page 338 |
Transition: -- Page 338 |
Distortion: -- Page 338 |
Rename: -- Page 338 |
Smooth: -- Page 338 |
Choose: -- Page 338 |
Load: -- Page 338 |
Save: -- Page 338 |
Undo: -- Page 338 |
Done: -- Page 338 |
Sequence Controls Window -- Page 339 |
Total frames: -- Page 339 |
Begin Frame #: -- Page 339 |
Finish Frame #: -- Page 339 |
Current Frame #: -- Page 339 |
Use Anti-Aliasing method: -- Page 339 |
Save Result: -- Page 339 |
Output file: -- Page 339 |
Specify: -- Page 339 |
Output size: -- Page 339 |
Match Start Aspect Ratio -- Page 339 |
Match End Aspect Ratio -- Page 339 |
Set to Start Frame size -- Page 339 |
Set to End Frame size -- Page 339 |
The Status Bar -- Page 340 |
Current Object (Ob): -- Page 340 |
Current Cursor Position (At): -- Page 340 |
Operation Progress Bar: -- Page 340 |
Sequence Progress Bar: -- Page 340 |
Pause Sequence: -- Page 340 |
Stop Sequence: -- Page 340 |
Keystrokes -- Page 341 |
Display Quality -- Page 342 |
Tutorials -- Page 343 |
Morphing Basics - The User Interface -- Page 344 |
What Morphing Means: -- Page 344 |
The Tools: -- Page 344 |
The Pull Down Menus: -- Page 344 |
File: -- Page 344 |
Generate: -- Page 344 |
Settings: -- Page 344 |
Filmstrip: -- Page 344 |
Help: -- Page 344 |
The Icon Tool Bar: -- Page 344 |
Delete: -- Page 344 |
Link: -- Page 344 |
Point Curve: -- Page 344 |
Group Curve: -- Page 344 |
Bound Curve: -- Page 344 |
Set Layer: -- Page 344 |
Animate: -- Page 344 |
Zoom/Negative Zoom: -- Page 344 |
Morphing Basics - Warp Morphing -- Page 345 |
Warp Morphing - Nuts and Bolts -- Page 346 |
Warp Morphing - Frames, Points and Links -- Page 347 |
Warp Morphing and Frames: -- Page 347 |
Points: -- Page 347 |
Links: -- Page 347 |
Lines and Curves: -- Page 347 |
Morphing Time: -- Page 347 |
More on Warp Morphing - Warp Motion Morphing -- Page 348 |
How motion morphs work: -- Page 348 |
Motion Controls - Details -- Page 348 |
Transition Morphing - The Basics -- Page 349 |
Transition Morphing - Nuts and Bolts -- Page 350 |
Transition Morphing - Frames, Points and Links -- Page 351 |
Frames -- Page 351 |
Points -- Page 351 |
Links -- Page 351 |
Lines -- Page 351 |
Morphing Time -- Page 351 |
Transition Morphing - In Motion -- Page 352 |
Going back and changing frame specifications -- Page 352 |
How motion morphs work: -- Page 352 |
In case of Problems with Morph -- Page 353 |
WinImages FX File Compatibility -- Page 354 |
General Specifications -- Page 354 |
Full list of Image File Variations Loaded -- Page 354 |
Full list of Image File Variations Saved -- Page 354 |
Palette File Types Loaded -- Page 354 |
Palette File Types Saved -- Page 354 |
ELF File Format Information (.elf) -- Page 355 |
General - Versions 1 and 2 -- Page 355 |
Technical Description, ELF Version 2 (ELF-2) -- Page 355 |
Endian-ness -- Page 355 |
General Structure -- Page 355 |
File Integrity -- Page 355 |
Magic Numbers -- Page 355 |
Version Numbering -- Page 355 |
Format Details -- Page 355 |
Layer Offsets -- Page 355 |
Scan Line Ordering -- Page 355 |
Pixel ordering within scan lines -- Page 355 |
Compression -- Page 355 |
Technical Description, ELF Version 1 (deprecated, superceded) -- Page 355 |
Plug-In Developer Documentation -- Page 356 |
General Concepts -- Page 356 |
Image File Import Plug-ins -- Page 356 |
Image File Export Plug-ins -- Page 356 |
Effects Plug-ins -- Page 356 |
Plugs -- Page 356 |
Services -- Page 356 |
Masking -- Page 356 |
Image Resampling -- Page 356 |
Obtaining a new image -- Page 356 |
Plug-In life (scope) -- Page 356 |
Variables -- Page 356 |
User Interface Handling -- Page 356 |
Memory -- Page 356 |
Caveats -- Page 356 |
Creating new Plug-Ins from the Examples -- Page 356 |
Examples -- Page 356 |
Appendix J - Specifications -- Page 357 |
Appendix K - In Case of Problems -- Page 358 |
Appendix L - Supplied Importers -- Page 359 |
Appendix M - Color Separation for Printing -- Page 360 |
General -- Page 360 |
Overview -- Page 360 |
About the Process -- Page 360 |
How to Approach this Appendix -- Page 360 |
Work with your Print Shop -- Page 360 |
Plan the Separation -- Page 360 |
Separation Format -- Page 360 |
Image Pixel Resolution -- Page 360 |
Image and Bleed Areas -- Page 360 |
Positive or Negative Plate Files -- Page 360 |
Multiple Images -- Page 360 |
Plate Separation Settings -- Page 360 |
UCR and GCR -- Page 360 |
Undercolor Threshold -- Page 360 |
Ink Corrections -- Page 360 |
Dot Gain -- Page 360 |
Save your Settings! -- Page 360 |
Unsupported CMYK Mechanisms - what, and why -- Page 360 |
UCA - Under Color Addition -- Page 360 |
Halftone Creation -- Page 360 |
Trapping -- Page 360 |
Appendix M - Matte Techniques -- Page 361 |
Blue Screens -- Page 361 |
Changes to the Documentation since 6.0 -- Page 362 |
7.5.A Document Revision(s) -- Page 362 |
7.1.C Document Revision(s) -- Page 362 |
7.1.B Document Revision(s) -- Page 362 |
7.1.A Document Revision(s) -- Page 362 |
7.0.B Document Revision(s) -- Page 362 |
7.0 Document Revision(s) -- Page 362 |
6.8 Document Revision(s) -- Page 362 |
6.7 Document Revision(s) -- Page 362 |
6.6 Document Revision(s) -- Page 362 |
6.5 Document Revision(s) -- Page 362 |
6.4 Document Revision(s) -- Page 362 |
6.3 Document Revision(s) -- Page 362 |
6.2 Document Revision(s) -- Page 362 |
6.1 Document Revision(s) -- Page 362 |
6.0 Document -- Page 362 |
Glossary -- Page 363 |
Index -- Page 364 |
Index 1 -- Page 365 |
Index 2 -- Page 366 |
Index 3 -- Page 367 |
Index 6 -- Page 368 |
Index 7 -- Page 369 |
Index 8 -- Page 370 |
Index 9 -- Page 371 |
Index A -- Page 372 |
Index B -- Page 373 |
Index C -- Page 374 |
Index D -- Page 375 |
Index E -- Page 376 |
Index F -- Page 377 |
Index G -- Page 378 |
Index H -- Page 379 |
Index I -- Page 380 |
Index J -- Page 381 |
Index K -- Page 382 |
Index L -- Page 383 |
Index M -- Page 384 |
Index N -- Page 385 |
Index O -- Page 386 |
Index P -- Page 387 |
Index Q -- Page 388 |
Index R -- Page 389 |
Index S -- Page 390 |
Index T -- Page 391 |
Index U -- Page 392 |
Index V -- Page 393 |
Index W -- Page 394 |
Index X -- Page 395 |
Index Y -- Page 396 |
Index Z -- Page 397 |